Now you have two tracks - amped track and DI track. )īut try it - run a DI track, drop a guitar lead from the pass thru at the DI to the amp. If you prefer, a Shure A85M style transformer should provide enough impedence matching ( although I'm not completely sure you need it - they work well enough voltage coupled. The "high Z" aspect of guitar amp inputs is usually provided by a resistor, so they'll work well enough voltage coupled. I say "simpler", because the pad built in means I don't have to reconfigure the output to conform to level expectations of the guitar amp. It's then just a matter of routing the signal to the reamp box in the DAW. I at least always have spare outputs from my interface, so I could leave one set up ready to go. Good luck!Ī reamp box just makes setup simpler. Helps for the amp to be seeing both the right level & impedance before making tonal decisions.ĭo whatever you want! But yeah, in a commercial studio environment, reamping’s a super useful skill to have a handle on, whether meticulously recreating a signal chain, or doing something more esoteric. My personal preference if reamping would be to run my DI/whatever through a reamp box, then into an A/B box where I can switch between a real guitar & the DI, to adjust level accordingly. Some pedals still hate buffered signals, but you’d find that out regardless of if you’re reamping.Īlso, level matching is pretty important here. That said, a guitar direct into an amp/pedalboard is still going to be your best bet sonically, unless the reamping workflow is providing you with an alternative benefit that supersedes that.Ī couple of things: you can use any pedal with a buffer circuit to help with most impedance mismatches, so Boss pedals, almost anything that’s not true bypass, etc. & yes, in a noisy environment you’re way better off running balanced cables as long as possible for noise rejection, before unbalancing them post re-amp box. Where you’ll run into trouble is with anything that’s sensitive to input impedance(esp fuzz pedals & direct into older amps). In a lot of cases, you can send a DI through your pedals without too many issues. While your guitar does care about the impedance it goes into, your amp does not care bout the impedance it's receiving from. In a properly designed input stage (not a Fuzz Face) the tube, transistor or opamp actually draw a very tiny amount of the current you are feeding into the input, the rest being dumped to ground by a resistor, which is a completely passive and linear component (that is, it doesn't affect your tone). So you want to be outputting this recorded signal as faithfully as possible into your amp/pedals, that is, with a low output impedance for example. Third, but not least, because people wrongly think they'll get a better tone for reamping with it and so manufacturers are very happy to sell them to you.Īnyways, to make this very clear, when you record a guitar straight to a DI, you are already loading your guitar correctly and the signal you record will be exactly the same that what would be hitting the input stage of an amp or a pedal (provided the DI has the same impedance of said amp or pedal). It's also nice to be able to run a line level balanced line right up to your amp in some situations to avoid noise issues (longer distances. Reamp boxes are a thing because it can be a convenient way to gain stage your signal to the right level. Aside from that there is absolutely no need to mimic a guitar impedance when you plug stuff into an amp or other kinds of pedals. There is the notable exception of fuzz pedals with a fuzz face input topology, which relies on the higher impedance of guitars to avoid excessive overloading of the strange input stage they have. Back to the point, volume will vary very slightly but you're going to be adjusting that to taste anyways. The output impedance has ZERO effect on the way their input stages will react (however, the input impedance of what you're plugging your guitar into will affect how your guitar + cable system reacts, which is why you need high impedance inputs). Contrary to popular belief, pedals and guitar amps do NOT need a see a high impedance.
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